Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri de toulouse-lautrec In Bed, oil painting


In Bed,
In Bed, 1893
Painting ID::  61174 		Henri de toulouse-lautrec
In Bed,
In Bed, 1893
   
   
     
Henri de toulouse-lautrec Alone oil painting


Alone
Alone
Painting ID::  61175 		Henri de toulouse-lautrec
Alone
Alone
   
   
     
Henri de toulouse-lautrec Bed oil painting


Bed
Date 1893(1893) Medium Oil on cardboard Dimensions 54 x 70.5 cm (21.26 x 27.76 in)
Painting ID::  71573 		Henri de toulouse-lautrec
Bed
Date 1893(1893) Medium Oil on cardboard Dimensions 54 x 70.5 cm (21.26 x 27.76 in)
   
   
     
Henri de toulouse-lautrec Two Women in Nightgowns oil painting


Two Women in Nightgowns
Date 1891(1891) Medium Oil, essence and pastel on cardboard Dimensions 62 x 46 cm (24.4 x 18.1 in) cjr
Painting ID::  82208 		Henri de toulouse-lautrec
Two Women in Nightgowns
Date 1891(1891) Medium Oil, essence and pastel on cardboard Dimensions 62 x 46 cm (24.4 x 18.1 in) cjr
   
   
     
Henri de toulouse-lautrec Red Haired Woman Sitting in Conservatory oil painting


Red Haired Woman Sitting in Conservatory
oil, in private collection Date 1889 cyf
Painting ID::  82370 		Henri de toulouse-lautrec
Red Haired Woman Sitting in Conservatory
oil, in private collection Date 1889 cyf
   
   
     
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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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